Irish bouzouki (GDAD) · scales

Irish bouzouki (GDAD) pentatonic scales

Four five-note scales in GDAD tuning, with printable tab, playback and note names. Start with one chart and play it slowly in both directions.

By TradTabPublished Updated

All twelve full scales

G major pentatonic

GABDE

G, A, B, D and E: the first, second, third, fifth and sixth degrees of G major. The chart leaves out C and F#.

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E minor pentatonic

EGABD

E, G, A, B and D: the first, third, fourth, fifth and seventh degrees of E natural minor. These are also the notes of G major pentatonic.

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D major pentatonic

DEF#AB

D, E, F#, A and B: D major with its fourth and seventh degrees, G and C#, left out. Notice the larger steps between F# and A and between B and D.

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A minor pentatonic

ACDEG

A, C, D, E and G: A natural minor with B and F left out. Return to the tune’s full melody when it uses either missing note.

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Practise five notes, then return to the tune

Play G, A, B, D and E, then come back down to G. Keep a steady pulse and notice the larger jumps from B to D and E to G. Listen with the Play button before trying the pattern yourself.

Next, compare the pattern with G major, which adds C and F#. Choose a familiar phrase and check which of those two notes it needs. Keep them when playing the melody. A five-note pattern does not guarantee that every note will suit the chord underneath it.

These diagrams use GDAD. The top D course has different frets from the E course on a GDAE instrument. Check the Irish bouzouki tuner before practising.

FAQ

Questions about pentatonics

  • A scale with five notes per octave. Major pentatonic uses degrees 1, 2, 3, 5 and 6 of a major scale. Minor pentatonic uses degrees 1, 3, 4, 5 and 7 of natural minor. These four charts give one low-fret fingering in GDAD tuning.

  • G, A, B, D and E. Drop the C and the F sharp from the G major scale and they are what remains. E minor pentatonic is the same five notes centred on E.

  • A tune may use five notes, a fuller scale or notes that change between phrases. Check its actual melody. A pentatonic exercise gives you a small set of notes to practise, but it cannot supply the missing notes or rhythm of a tune you have not learned.

  • The note names can be the same, but the fret positions depend on the tuning. These charts are drawn for GDAD. A five-string chart in open G uses different strings and frets. GDAD has a fifth, a fifth and a fourth between its courses; use the GDAD chart for the top course.

Theory references: Open Music Theory on pentatonic collections and modes andnotes outside a chord. The charts and practice steps are TradTab’s own examples.

The twelve full scale charts