Repertoire

Where to find public-domain Irish tune collections

Start with O’Neill’s Music of Ireland (1903), The Dance Music of Ireland (1907), and P. W. Joyce’s Old Irish Folk Music and Songs (1909). Use the original edition to identify a setting, then check the terms of the scan or transcription you want to use.

By TradTabPublished

Musicians playing together at a traditional Irish music session
O’Neill, 1903
Music of Ireland, 1,850 melodies
O’Neill, 1907
The Dance Music of Ireland, 1,001 tunes
Joyce, 1909
Old Irish Folk Music and Songs, 842 airs and songs
Keep with each tune
Book, edition, tune number and source link

Three collections to start with

The books overlap, and the same title can lead to different settings. A tune number and edition make a more reliable reference than the title alone.

Historical collections and places to find them
CollectionWhat to look forOpen the source
O’Neill: Music of Ireland (1903)A broad collection of airs and dance tunes, commonly called the “1850”.John Chambers’s O’Neill ABC collection
O’Neill: The Dance Music of Ireland (1907)The “1001”, focused on dance repertoire. Check the book label when a tune occurs in both collections.Digital Chicago’s O’Neill publications exhibit
Joyce: Old Irish Folk Music and Songs (1909)Airs, songs and dance tunes. ITMA provides a collection introduction and interactive scores.Joyce at the Irish Traditional Music Archive

Find the edition before choosing a transcription

For O’Neill, Digital Chicago’s exhibit identifies the published volumes. The Chambers collection gives access to ABC transcriptions and explains how duplicate titles and settings are labelled.

For Joyce, ITMA’s Joyce resources include facsimiles of his published collections and manuscripts. Open the individual item to check its edition, credits and reuse information. A modern interactive score and the historical printed page are separate sources.

Record the collector or editor, book title, publication year and tune number. If a title is missing, try a spelling variant or compare the first few bars. A different key or ornament may belong to another setting of the same melody.

Check what “public domain” applies to

These historical collections are useful starting points for finding public-domain repertoire. Check the particular work and your country’s rules before republishing it. The melody, a later arrangement, a recording and a downloadable transcription can have different rights.

In Ireland, the Intellectual Property Office’s duration guidance gives the general term for musical works as 70 years after the author’s death. A publication year alone does not resolve every rights question.

Read the host’s terms for the files you download. Credit a transcriber and retain source headers; attribution by itself does not grant permission. For a new recording or arrangement, check that version separately.

Turn a source setting into something you can practise

The TradTab tune library includes settings from O’Neill’s collections, with source details and ABC notation on each tune page. Start with Out on the Ocean, from The Dance Music of Ireland (1907), no. 68. Listen to its player, slow it down and follow the GDAE tab.

If you have ABC you are entitled to use, paste it into the ABC-to-tab converter, choose your instrument, and check the key and rhythm against the source. A scanned page must first be transcribed into notation; the converter takes ABC text.

For a short practice route through the library, try the Irish jigs page or the five-tune beginner guide. Listen to the setting used by the musicians you play with, since a printed collection records one version.

FAQ

Questions about finding old tune collections

  • Start with historical collections such as O’Neill’s Music of Ireland (1903), The Dance Music of Ireland (1907), and Joyce’s Old Irish Folk Music and Songs (1909). ITMA holds Joyce resources; John Chambers hosts O’Neill ABC transcriptions. Check the exact edition and the host’s terms for reuse.

  • A traditional label does not establish the rights in a particular arrangement, recording, transcription or database. Identify the underlying work and check the version you want to use.

  • Collectors and players record different settings. Notes, keys, titles and ornaments can vary. Keep the book title, edition and tune number with the setting so another player can find the same one.