Key of D
A Lovely Lass To A Friar Came
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Irish tenor banjo tab
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ABC notation source
X:1840
T:A Lovely Lass To A Friar Came
M:2/4
L:1/16
B:O'Neill's 1840
K:D
((3def) | .g2.f2.e2.d2 | ({f}ed)(ef) d2(ef) | .g2.f2.e2.d2 | e4 d2 ((3def) |
.g2.f2.e2.d2 | ({f}ed)(ef) d2(ef) | .g2.g2.e2.d2 | e4 d2 ||
z2 | defg a2a2 | b2a2 a4 | b2a2 a2gf | g4 f2 z2 |
a4 d4 | {f}edef d2ef | .g2.f2.e2.d2 | e4 d2 ||
D2 | .G2.F2.E2.D2 | .E2.E2 D2EF | .G2.F2.E2.D2 | TE4 D2D2 |
.G2.F2.E2.D2 | .E2.E2 D2EF | .G2.F2.D2.E2 | TE4 D2 ||
z2 | DEFG A2A2 | B2A2 A2 z2 | B2A2 A2GF | G4 F2 z2 |
A2A2 D4 | EDEF D2EF | .G2.F2.E2.D2 | TE4 D2 ||
((3def) | gafg efdf | {f}edef defa | gafg efdf | e4 d2 ((3DEF) |
GAFG EFDE | EDEF DEFD | GAFG EFDE | TE4 D2 |]FAQ
Questions about A Lovely Lass To A Friar Came
A Lovely Lass To A Friar Came is in D, in 2/4 time. The D major scale gives you every note it uses.
Easy. 99% of the notes fall in first position, between the open string and the fifth fret, and the highest fret used is 7.
The tune type is not recorded in the source collection.
Yes. Copy the ABC below into the ABC transposer, move the transpose control by semitone, and the notation and tab are redrawn together in the new key. Handy if a singer wants it lower or the tune sits awkwardly on the neck.
Yes. Tenor banjo, mandolin and octave mandola are all tuned GDAE, so the tab above is identical for all three. A bouzouki tuned GDAD needs the top string adjusting, which the converter handles.