Jenny's Welcome To Charley
O’Neill 1903 no. 1456
Irish tenor banjo tab
Find the collections behind these tune settings.
ABC notation source
X:1456
T:Jenny's Welcome To Charley
M:C|
L:1/8
N:"collected by McFadden"
B:O'Neill's 1456
K:D
D3 B AGEF | GEcE dEcE | D2 (dc) AGEG | ((3ABA) (AG) EFGE |
D3 B AGEF | GEcE dEcE | D2 (dc) AGEG | ((3ABA) (AG) (TED) D2 ||
d2 e dcAB | cAdB cAGB | Addc (Tdcd)d | cAGE (TED) D2 |
(Tdcd)e dcAB | cAdB cAGE | D2 ((3EFG) AddB | cAGE TED D2 ||
eaa^g (age)f | =geaf gedg | eaa^g (Taga)a | agea e2 d2 |
eaa^g agef | =geaf gedB | A2 ((3Bcd) e2 dB | cAGE TED D2 ||
dfec dfed | cAAB c2 (AG) | Ad{e}dc (Tdcd)d | eaag e2 d2 |
dcdB dfed | cAAB cdcA | GAcd ((3efe) de | cAGc ((3ABA) "D.C."GE |]Questions about Jenny's Welcome To Charley
Jenny's Welcome To Charley is in D, in C| time. The D major scale gives you every note it uses.
Very easy. 100% of the notes fall in first position, between the open string and the fifth fret, and the highest fret used is 5.
The tune type is not recorded in the source collection.
Yes. Copy the ABC below into the ABC transposer, move the transpose control by semitone, and the notation and tab are redrawn together in the new key. Handy if a singer wants it lower or the tune sits awkwardly on the neck.
Yes. Tenor banjo, mandolin and octave mandola are all tuned GDAE, so the tab above is identical for all three. A bouzouki tuned GDAD needs the top string adjusting, which the converter handles.