jig · Key of A
WE MET AT THE FAIR
Also known as Do theatmhar ag an aonach
Press play, or tap a note to start there.
Irish tenor banjo tab
Find the collections behind these tune settings.
ABC notation source
X: 342
T: WE MET AT THE FAIR
T: Do theatmhar ag an aonach
B: O'Neill's 342
M: 6/8
L: 1/8
N: "Gaily"
N: "Collected by F.O'Neill"
K:A
(c/d/) \
| e>AB GFE | Tc>Bc dcd | ede cAF | =G3- G3 (c/d/) |
| e>AB GFE | Tc>Bc eag | fde cAB | A3 A2 ||
|| (A/B/) \
| c(cd) e(ef) | {a}=gec d2(c/d/) | eAB {d}cAF | =G3- G3 (c/d/) |
| eAB GFE | Tc>Bc eag | fde cAB | A3 A2 ||FAQ
Questions about WE MET AT THE FAIR
WE MET AT THE FAIR is in A, in 6/8 time. The A major scale gives you every note it uses.
Easy. 97% of the notes fall in first position, between the open string and the fifth fret, and the highest fret used is 6.
It is a jig, written in 6/8.
Yes. Copy the ABC below into the ABC transposer, move the transpose control by semitone, and the notation and tab are redrawn together in the new key. Handy if a singer wants it lower or the tune sits awkwardly on the neck.
Yes. Tenor banjo, mandolin and octave mandola are all tuned GDAE, so the tab above is identical for all three. A bouzouki tuned GDAD needs the top string adjusting, which the converter handles.